Vitreosity

Popular Science - Stained Glass Making

The entire run of Popular Science is now available for viewing through Google books. Not much on stained glass, but there is this article. How it is Done: Stained Glass Making, October 1942
Unfortunately, the article does not name any of the people in the photos, and only mentions the name of the studio once, toward the end of the article. It's Rambusch Decorating Company, which is still around today, in New York City. The article is a bit of an oddity in this issue, seeing that this was 1942 and most of the articles are related to the war.

AGGnews v1.1

If you've been wondering why I've not been doing as much blogging recently, this is the reason. The first issue of AGGnews, the new Quarterly eNewsletter for the American Glass Guild. I did all the design and layout, with some minor editing of the text.

Download the full 16 page pdf here, it's 1.2 mb big.

You can see a page from how the email campaign looked, in this case to prospective new members.

Much of the issue deals with the 2010 American Glass Guild Conference, taking place in Detroit in July. I'm doing a pre-conference workshop, with Dan Maher, on Photo Transfer Techniques. I'm also going to be moderating a panel on the impact of Photoshop on the world of stained glass design.

Artist Brian Clarke talks about Glass and Light

This is short, less than 2 minutes, but interesting. I'd never seen an interview with Brian Clarke before and so it's interesting to see him and hear his words.

Brian Clarke is one of those big name stained glass artists whose work I've heard of for a long time and seen lots of pictures of, but have mixed feelings about. He does mostly large-scale abstract works for secular spaces. That's all well and good, but the images I've seen all seem a bit dull and corporate to me. Still, I'm keeping an open mind until I see an actual work of his. I tried, about 2 years ago, as I was driving through Connecticut, to see his Stamford Cone, located at the headquarters building of the Swiss Banking Corporation, but I couldn't find it. I even asked several locals for directions but none of them had heard of it. Some day.

Guess I should've checked Google Maps more carefully. or Google Street View

Argentinian Bottle House

Contemporary Bottle House Creator, said to have a million bottles invloved. The stained glassy shots don't start until about 1:35 into the 2:39 video.

Mad Tea Parties Compared

Since my most popular blog post remains the one on the Alice Windows in Daresbury, and there is a big new movie version of Alice in Wonderland coming out tomorrow, I'd thought I'd look at some comparative takes on the Mad Tea Party scene. Here is the original text for The Mad Tea-Party, with the Tenniel illustrations.

I'm putting the scenes in no particular order. Starting with the 1966 version directed by Jonathan Miller. Even though this is one of the weirdest, and least "Tenniel-based" of the adaptations, it is also one of the most true to the words and structure of the scene. I'm a sucker for great British character actors, and this is loaded with them. Peter Cook's trippy and mesmerizing version of the Mad Hatter is memorable.

Seven more variations of the scene below the fold...

Middle Eastern "Bottled Walls"

I'm not what you would call a fan of big explosion action movies, so the last thing I expected would be to post an image on this blog from "Transformers 2: Revenge of the Fallen". But, a few weeks ago, a movie blog called 'Incontention' did an entry on 'the top ten shots of 2009' and in the first shot I saw included, of all things, a bottle wall!

This is the shot, here taken from a screenshot for the Transformers 2 trailer on YouTube. This shot in the trailer lasts only about 2 seconds. If you want to see the whole shot, forward to about 1:05 and wait for the 2 seconds at 1:15-1:17. That's the whole shot. I wouldn't bother with the rest of the trailer. Seriously.

The image was enough to floor me, but then there is this quote, from Director of Photography Ben Seresin -

The shot wasn’t specifically storyboarded, although there was extensive pre-visualization for the rest of the scene. The bottled wall was planned, as it is typical in the Middle East. I tried to create a feeling in the room that would give a sense of safety, and that contrasted with the expanse, scale and danger of outside.

The key phrase for me being The bottled wall was planned, as it is typical in the Middle East. 'Bottled Walls' are typical in the Middle East?? I'd never heard that before, so this is intriguing.

So, are these Middle Eastern bottle walls not recorded by anyone? Or recorded but not put up on the web? Or are they on the web but not in English, therefore harder to find?

Whatever the reason, I've never come across an image of a Middle Eastern bottle wall on the web, other than this. I'll keep searching. In the meantime, if anyone out there hears of or sees evidence of the typical Middle Eastern wall, send it to me.

Spinning Plates, that is... Rondels

In the world of glassblowing, the making of rondels is often referred as "spinning plates", which is similar to the way of making window glass in large rondels called crown glass. Recently, it occurred to me to search for the term 'spinning plates' in YouTube and it turned up these 2 videos about spinning plates.

These two are from the same YouTube channel and seem to be from the same person. This one is from a public demo, with a microphoned glassblower and funny banter.

This is apparently the same guy, but not with the theatrics. The technique looks basically the same.

I've now 'favorited' enough rondel/crown glass/spun plate related videos to make a Crown/Spun /Rondel Glass playlist on my YouTube channel, VitreosityInMotion.

The Last Window - excerpts

The documentary filmmaker John Bishop just posted excerpts of his documentary on the last days of the Connick Studio, filmed in Boston in 1986. The film is called The Last Window, and it documents the making of the Henry Pepper Memorial Window, at All Saint's Parish, Brookline, Mass. All Saints Parish contained the first representational window by Charles Connick, from 1910, as well as this last window made by the Connick Studio, in 1986. The excerpts are only 3-4 miinutes each, while the whole movie is about an hour.

One thing I remember about the film is that it doesn't quite give a sense of the space. It was like a big rabbit warren, with 4 floors, each being some 2,000 square feet. One floor alone was just row upon row of glass racks. There were some big rooms, like the big showroom, but I remember lots of little rooms. Still, this a nice document of the people and the time, and it is hard to believe it's been 24 years.

Last Window 1 - Louis Cammacho, the Connick Studio colorist, talks about choosing and cutting glass in the first part of this excerpt. The young woman you see in the background is Becky Breymann, who designed the last window. The second half has a real treat showing one of the Connick painters, Harold Nicholson I think, tracing and matting. I'd like to see an hour just of that.

Last Window 2 - Features some historical background on Charles Connick, especially about his relationship with Ralph Adams Cram.

Last Window 3 - Johnny Campbell leading up the last window. Johnny was quite a character. I remember, when I was looking through the racks in the last days when they were getting rid of all their glass, Johnny trying to convince me that green is just no good in stained glass. "Can't do anything with green", says Johnny.

I'm still working off of those scraps I got from when Connick's closed. I kind of hope they never run out. That would be a sad milestone for me.

Secular Window Saturday - Cappy Thompson Library Window

This from flickrite "Library Development @ Washington State Library", an image of the Stained glass @ The Evergreen State College Library - Olympia WA, by Cappy Thompson.

Click on the link or image to see a high resolution 'Zoomified' version of the Cappy Thompson Evergreen Library window.

Strange Interlude - Screenprinting edition

A little unexpected personal backstory. This is a video with my old friend Geoff talking about screenprinting. Geoff was one of my roommates in the 80's, and we became good friends. We used to talk about screenprinting back then and those conversations are one of the reasons I thought about applying screenprinting to my stained glass. Geoff was also the one who first heard about the Print Gocco process and inspired me to try it.

Just to prove the connection, here is a roll of reject 'Twigs' wallpaper that I got from Geoff and still occasionally use for gift wrap.

and a scan with 'The Twigs' name -

Arthur Ganson: Machines and the Breath of Time

Talking about tinkering, here is another video with the Kinetic artist Arthur Ganson. I had posted his brief TED talk in 2008. This is a more recent talk and a much longer one, for the LongNow Foundation. Wait for a leisurely 88 minutes where you have time to watch and drink it in. I love his work and have always wondered how some of the kinetic aspects of his work might be applied to glass art.

[Oops, just discovered that the embedded version is only 10 minutes long (weird.), so here is the link to the full 88 minute version of Arthur Ganson: Machines and the Breath of Time.]

Hidden Cat Revisited

Thanks to all for the wonderfully positive response to the Watching Eyes Hidden Cat panel and blog post. I was surprised by the number of responses and Gwyneth was touched and a little perplexed by it all. The project was mainly done as something for the two of us to do together, and it just happened to work especially well. Gwyneth is not that interested in becoming an artist. She wants to work with animals, perhaps become a zoologist. Her special interest - big cats, of course.

I've gotten some inquiries from those who would like to do similar projects with their kids or with kids in general. I do have a few pieces of advice based on my experience. First of all, obviously, I would stay away from the pattern books, totally. Let the kids do the design, whether they end up liking it or not, whether they stick with it through the end or not. Just plunge in and let them make the creative decisions. Also, don't be afraid to let them handle the glass and use the tools, including the power tools. There will be mishaps and cuts are to be expected, but that's part of the learning. Safety first, but not at the expense of paranoia.

Upon reflection, I realized I was partly inspired by this short video from the TED people that I saw a few months before I did the project with Gwyneth. The man in the video is Gever Tulley and he founded a place called The Tinkering School. I like the part about 'decoration'.

He's also written a book called 50 DANGEROUS THINGS (you should let your kids do). Here is another TED talk where he talks about 5 of them (well, actually 6½).

Bottle Wall Videos

I realized the other day that I hadn't checked for new bottle wall/house videos in over a year. So I checked and found there are quite a few newer ones on YouTube and elsewhere. Still nothing good about building bottle walls or houses, but some unique insights into existing structures. And one or 2 wild experiments like this one of a bottle wall turned into an animated LED display. Most interesting toward the end is to see the Times Square type text display and then realize that these are bottles!!

Bacardi Bottle Wall, LED lit bottle wall, by Alex Beim of tangible interaction. There is no sound.

Bottle wall (no sound) from Alex Beim on Vimeo.

Make sure to check out the very detailed flickrset on the Bacardi Bottle Wall, with many construction details.

6 more recent bottle house videos below the fold...

Stanisław Wyspiański

Not much posting recently, partly because I've been busy and partly because all the posts I've tried to do recently just get bigger and bigger and I can't figure out how to tie them up into a coherent whole. This is one example and I've decided to just let it go, rambling and imperfect as it is. Maybe I'll hone it later, but for now, here it is -

When I first saw this image on Flickr a few months ago, I thought it was the work of some obscure artist from the 1970's or even more recent. I guess I was fooled by the fact that the faces are created with the leadlines, not with paint, something that is quite rare before the 1970's. It turns out this piece is from 1904 and is by Stanisław Wyspiański (1869 – 1907). The panel is called 'Apollo: the Copernican solar system' and it's located in the Medical Society House at 4 Radziwillowska street, Cracow, Poland.

It also turns out that Wyspiański is an especially unique and interesting artist.
More below the fold....

I am Zenon

The designs are interesting in their complexity, but the New-Agey lingo is way, way over-the-top.

That said, I like the form of the video. A stained glass designer talking about a given design. Simple. It would be interesting to imagine what other stained glass designers might sound like looking at their cartoons while explaining the design and iconographic choices.

Watching Eyes Hidden Cat

I spent some of the recent winter break helping my 11 year old daughter Gwyneth create this stained glass panel. She was the designer and I was merely the fabricator. Wonderful experience, and I love the result.

full story below the fold...

Happy Janus Day

that is, Happy New Year.

I often think at the beginning of a new year about the name 'January' and how it derives from the name of the Roman God Janus. I've long been fascinated by the image and the idea of Janus, the god who could look at the past and the future simultaneously. I've never seen a representation of Janus in stained glass, so I guess I have to make my own.

Janus Panel, black & white sketch from 2005, colored design in 2009, stained glass panel (sometime in the future?)